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Saturday, February 25, 2017

V.A : Going Underground - 20 New Wave Classics


Tracklist

01. Blondie     Denis     2:17
02. Ultravox     Vienna     4:35
03. The Stranglers     Hanging Around     4:25
04. Rich Kids     Rich Kids     2:57
05. Tom Robinson Band     2-4-6-8 Motorway     3:18
06. Killing Joke     Love Like Blood     4:22
07. Heaven 17     Temptation     4:37
08. The Motors     Airport     4:34
09. Buzzcocks     Ever Fallen In Love (With Someone You Shouldn't 've)     2:41
10. Public Image Limited     This Is Not A Love Song     4:09
11. Generation X      Dancing With Myself     3:50
12. The Saints      This Perfect Day     2:09     In A Rut     3:33
14. The Members     Sound Of The Suburbs     3:53
15. Iggy Pop     The Passenger     4:39
16. The Human League     Love Action (I Believe In Love)     3:46
17. China Crisis     Wishful Thinking)     4:07
18. The Flying Lizards     Money     2:30
19. Devo     Satisfaction (I Can't Get Me No)     2:38
20. Mink DeVille     Spanish Stroll     3:34




This Perfect Day
Don't talk to me about what you done
Ain't nothing has changed, it all goes on
And they'll keep laughing till the end
I've seen them drive around in cars
All look the same, get drunk in bars
And don't talk back, we got no social rights
Oh, perfect day
What more to say?
Don't need no one to tell me what I don't already know
We got no high times, always flat
If you go out, you don't come back
It's all so funny I can't laugh
Oh, perfect day
What more to say?
Don't need no one to tell me what I don't already know

Label¨: Disky ‎– DC 765002
Format:CD, Album, Compilation
Country:Europe
Released:2002
Genre:Rock
Style:New Wave

Monday, February 20, 2017

Οταν Κάποτε Μάθεις

ΟΤΑΝ ΚΑΠΟΤΕ ΜΑΘΕΙΣ

Οταν κάποτε μάθεις τι ζητάς στη ζωή σου
κι'όταν κάποτε νιώσεις να σε πνίγει η αναπνοή σου
μην το ρίξεις στον ύπνο και μη πας στη μαμά σου
μη χεστείς απ' τον φόβο γιατί δεν είν' κανείς κοντά σου .
Κάτσε σκέψου λιγάκι , κάνε κάτι κουνήσου
δεν είσαι πιά παιδάκι γιά να βαράς το πουλί σου .

Μην τα βλέπεις αστεία σκέψου όσο είναι νωρίς 
αλλιώς την έχεις πουλέψει Μαλακάκος θα βγεις
σα μπανάνα Τσικίτα πρέπει να ωριμάσεις
κι έπειτα σ' ένα κόμμα μέσα εκεί να μουχλιάσεις
κι έπειτα σε μιά ψήφο μέσα εκεί να μουχλιάσεις .

Να μην κρύψεις τη φάτσα κάτω από το μαξιλάρι
ξαφνικά θα το φας της ζωής τό παπάρι .
Δύσκολος είν' ο δρόμος ολο αγγούρια στρωμένος
και ο άσπρος σου κώλος πουν' ακόμα παρθένος
ώσπου να το χαμπαριάσεις θα στον έχουν ξεσκίσει
ξαφνικά θα το φας της ζωής το γαμίσι .

Μην τα βλέπεις αστεία σκέψου όσο είναι νωρίς 
αλλιώς την έχεις πουλέψει Μαλακάκος θα βγεις
σα μπανάνα Τσικίτα πρέπει να ωριμάσεις
κι έπειτα σ' ένα κόμμα μέσα εκεί να μουχλιάσεις
κι έπειτα σε μιά ψήφο μέσα εκεί να μουχλιάσεις .

Σχέδιο και στίχοι : Kostas

Saturday, February 11, 2017

Robin Trower : Bridge Of Sighs 1974



Robin Trower (born Robin Leonard Trower, 9 March 1945, Catford, South East London, England) is an English rock guitarist who achieved success with Procol Harum during the 1960s, and then again as the bandleader of his own power trio.


AllMusic Review by Hal Horowitz 

Guitarist Robin Trower's watershed sophomore solo disc remains his most stunning, representative, and consistent collection of tunes. Mixing obvious Hendrix influences with blues and psychedelia, then adding the immensely soulful vocals of James Dewar, Trower pushed the often limited boundaries of the power trio concept into refreshing new waters.
The concept gels best in the first track, "Day of the Eagle," where the opening riff rockingly morphs into the dreamy washes of gooey guitar chords that characterize the album's distinctive title track that follows. At his best, Trower's gauzy sheets of oozing, wistful sound and subtle use of wah-wah combine with Dewar's whisky-soaked soul-drenched vocals to take a song like the wistful ballad "In This Place" into orbit.



"Too Rolling Stoned," another highlight and one of the most covered tracks from this album, adds throbbing, subtle funk to the mix, changing tempos midway to a slow, forceful amble on top of which Trower lays his quicksilver guitar. One of the few Robin Trower albums without a weak cut, Bridge of Sighs holds up to repeated listenings as a timeless work, as well as the crown jewel in Trower's extensive yet inconsistent catalog.



TRACKS


01. Day of the Eagle – 4:59
02. Bridge of Sighs – 5:05
03. In This Place – 4:28
04. The Fool and Me (Trower, James Dewar) – 3:57
05. Too Rolling Stoned – 7:29
06. About to Begin – 3:43
07. Lady Love (Trower, James Dewar) – 3:21
08. Little Bit of Sympathy – 4:20

MP3  Size : 88.5 MB
Flac : Size : 201 MB

Robin Trower on this Blog : HERE




Monday, January 09, 2017

V.A : Unrepentant ROCK


This is an alternative compilation not available in the music stores

BIG SLEEP

Ιs an alternative rock/pop band currently based in Salonica, Greece.
Founded in 1992, so far 5 full albums have been released.
"BIG SLEEP"'s debut album "Everything Falls Into Place" immediately became a surprising and great success in Greece, the single "Looking For A Girl With A Washing-Machine" is still played in rock radio and rock bars alike; the following cd "Moonlit Days" - recorded 1994 in the South-West of France - opened possibilities for concert tours in Ireland, Holland, Italy and France. Soon he was also performing and recording with songwriting colleagues such as Nikki Sudden, Phil Shoenfelt and Terry Lee Hale. In 1995 he moved to Greece, where he still enjoys a huge popularity.
Since then he has recorded two more albums there, "Thermaikos" (1999), and "With God And Her Sisters" (2003), both produced by Chris Eckman of the Walkabouts.

THE WALKABOUTS

The Walkabouts were an American rock band formed in Seattle in 1984. The core members were vocalist Carla Torgerson and vocalist and songwriter Chris Eckman. Although the rest of the line-up changed occasionally, for most of the time the other members were Michael Wells, Glenn Slater and Terri Moeller.
The band drew inspiration from folk and country music, particularly Townes Van Zandt, Neil Young and Johnny Cash, but also from other types of artists and musical styles such as Scott Walker, Leonard Cohen, French chanson and Jacques Brel. Their sound was typically rich, with string arrangements and keyboards in addition to the standard rock instruments. In reviews the band's music was often described as melancholic or mellow, while Eckman's lyrics, concerning such themes as human relations, loneliness and restlessness, were often emphasized as poetic.

Albums of Walkabouts on URBAN ASPIRINES  HERE
Chris and Carla on URBAN ASPIRINES HERE

MOTORPSYCHO

Motorpsycho (initiated 1989 at Trondertun, Melhus, Norway) is a band from Trondheim. Their music can generally be defined as progressive or psychedelic rock, but they also mix in elements from metal, jazz, post-rock, pop, country and many other musical styles. The members of the band are Bent S?ther (born 18 February 1969, bass/vocals), Hans Magnus "Snah" Ryan (born 31 December 1969, guitar/vocals) and Kenneth Kapstad (born 20 April 1979, drums). Until March 2005, Hakon Gebhardt (born 21 June 1969, drums) was also an integral part of the band. A press release concerning his departure is published at the Unofficial website. In December 2007 it was announced that former Gate drummer Kenneth Kapstad was the new drummer in the band as well as an official band member.

THE INVISIBLE SURFERS

THE INVISIBLE SURFERS formed in 1996 by Alex Berekos, right after the disband of the Greek Rockabilly band THE BLUE JEANS.
Have shared the stage with THE CRAMPS, MARKY RAMONE, ? MARK & THE MYSTERIANS, THE FUZZTONES, DEAD MOON etc, while headlining their own shows, in and around every corner.
Sound-wise, THE INVISIBLE SURFERS are not just Surf.
Fifties Rockabily, Surf, Punk, traditional Greek music, it's al in there!
So well mixed, you won't even notice it!

Alboums of The Invisible Surferes  on URBAN ASPIRINES  HERE

PHIL SHOENFELT

Phil Shoenfelt (born 18 December 1952 in Bradford, Great Britain) is an English musician and author who lived for many years in New York City and who now lives in Prague, Czech Republic.
In New York, early 1980s, he founded together with Barry "Scratchy" Myers (tour DJ of The Clash) and Marcia Schofield (ex-keyboarder of The Fall) the post-punk band Khmer Rouge.
From 1983-1984, Khmer Rouge was managed by noted photographer and Andy Warhol collaborator Nat Finkelstein.
In 1989 his first solo EP, Charlotte's Room, was released by Mark E. Smith's label Cog Sinister. The title track and the b-side "The Long Goodbye" were mixed by Tony Cohen and Mark E. Smith.
One year later Paperhouse Records put out his album Backwoods Crucifixion, in 1993 Shoenfelt's second album God is The Other Face of The Devil was released by Humbug Records. Since 1995 Shoenfelt lives in Prague, where he put together his current band, Phil Shoenfelt & Southern Cross (also: SHOENFELT). With Southern Cross he recorded by now four albums (Blue Highway, Dead Flowers For Alice, 'Ecstatic and Paranoia.com) and one EP called Electric Garden (2002).

Albums of Phil Shoenfelt on URBAN ASPIRES HERE

GIANT SAND

Giant Sand (also currently recording as Giant Giant Sand) is an American band from Tucson, Arizona. Its most constant member is singer-songwriter Howe Gelb.
Members have included keyboardist Chris Cacavas (of Green on Red), bassist Paula Jean Brown (who was briefly a member of The Go-Go's and was married to Gelb at the time), Mark Walton (of The Dream Syndicate and Continental Drifters), drummer Tom Larkins (later to become a Jonathan Richman sideman). and Iain Shedden, drummer with Australian band The Saints. For a long while the band's rhythm section consisted of John Convertino and Joey Burns (of Calexico fame). In the early 2000s Howe Gelb reinvented the band again - this time with players from Denmark.
Guest artists over the last 3 decades have included Victoria Williams, Neko Case, Juliana Hatfield, PJ Harvey, Vic Chesnutt, Steve Wynn, Vicki Peterson, Rainer Ptacek, M. Ward, Isobel Campbell, nearly all members of the band Poi Dog Pondering, and Indiosa Patsy Jean (Gelb and Brown's daughter).

SAD LOVERS AND GIANTS

Sad Lovers & Giants are a rock band from Watford, England which formed in 1980. Their sound blends post-punk, atmospheric keyboards and psychedelia.
The original lineup included vocalist Garce (Simon) Allard, guitarist Tristan Garel-Funk, bassist Cliff Silver, drummer Nigel Pollard and keyboardist/saxophonist David Wood.
Following their debut EP Cle and the "Colourless Dream" single, both issued in 1981, they released two studio albums, Epic Garden Music (1982) and Feeding the Flame (1983), before splitting in 1983.
During this initial period they recorded a John Peel Session for the BBC,[2] and a live concert for the Dutch Radio Hilversum station in 1983, which was subsequently released as the album Total Sound in 1986.[1] Live performances included headline dates at UK colleges and clubs with occasional trips to Europe, although they did support the Sound at a major London venue on the day Epic Garden Music entered the UK Indie Chart.
European interest in the band began to grow, and with the release of Feeding the Flame, they toured Germany and the Netherlands, gaining a dedicated fanbase. Tensions within the band caused a split, with Garel-Funk and Pollard leaving to form the Snake Corps.
During a hiatus, their label Midnight Music released the In the Breeze collection in 1984, which included one of their previously unreleased signature tunes, "Three Lines".

MORPHINE

Morphine was an American alternative rock group formed by Mark Sandman, Dana Colley, and Jerome Deupree in Cambridge, Massachusetts in 1989. After five successful albums and extensive touring, they
Morphine combined blues and jazz elements with more traditional rock arrangements, giving the band an unusual sound. Sandman sang distinctively in a "deep, laid-back croon",[1] and his songwriting featured a prominent beat influence. The band themselves coined the label "low rock" to describe their music, which involved "a minimalist, low-end sound that could have easily become a gimmick: a "power trio" not built around the sound of an electric guitar. Instead, with sly intelligence, Morphine expanded its offbeat vocabulary on each album."
disbanded in 1999 after frontman Sandman died of a heart attack. Founding members have reformed into the band Vapors of Morphine, maintaining much of the original style and sound.

Albums of Morphine on URBAN ASPIRINES HERE

MIDNIGHT CHOIR

Midnight Choir was a Norwegian alt-rock/alt-country band active from 1992 to 2004.
The members of Midnight Choir were Al DeLoner (Atle Bystrom 'Olsen'), Paal Flaata, and Ron 'Bystrom' Olsen. (Atle and Ron are brothers)
The band played a kind of Americana music and was named after the opening of Leonard Cohen's song "Bird on a Wire": "Like a bird on a wire, like a drunk in a midnight choir."
 A somber European trio who plays a decidedly American form of rootsy rock, Midnight Choir has steadily built not only a fervent fan base, but a unique take on Americana as well.
The trio of Paal Flaata (vocals/guitar), Ron Olsen (acoustic and electric bass), and Al DeLoner (guitar and various other instruments) began in Norway with the less-serious name of the Hashbrowns , busking and occasionally playing club gigs until they were heard by veteran keyboard player Lasse Hafreager.

Albums of MIDNIGHT CHOIR  on URBAN ASPIRINES HERE

STEVE WYNN


Before forming the Dream Syndicate, Wynn played guitar in the Davis-based band Suspects, whose members included vocalist Kendra Smith (with whom he later founded The Dream Syndicate), and Russ Tolman and Gavin Blair (who would form True West). In 1979, Suspects released a single, "Talking Loud" b/w "It's Up to You", and the band remained active through 1981.
After Suspects disbanded, Wynn formed the trio 15 Minutes with two members of Alternate Learning, bass player Carolyn O'Rourke and drummer Eric Landers.[4] With 15 Minutes, Wynn wrote and produced the 1981 single "That's What You Always Say," b/w "Last Chance For You," which he engineered with Alternate Learning's frontman, Scott Miller.The A-side, "That's What You Always Say," was later performed by the Dream Syndicate.
The Dream Syndicate (1981–1989)
Main article: The Dream Syndicate
The Dream Syndicate's eponymous EP was released on Wynn's own label, Down There (which folded by the end of the band's career). Though they were popular with critics, an influence on other musicians, and signed briefly to a major label, the Dream Syndicate were not commercially successful. They did establish, however, the fan base on which Wynn built his solo career. Dream Syndicate reunited in 2013 for a series of gigs in Europe and USA.

Albums of STEVE WYNN on URBAN ASPIRINES HERE
The Dream Syndicate on URBAN ASPIRINES HERE

COUSTEAU

Cousteau are a London-based band who enjoyed considerable international success, particularly in Italy and the U.S. from 1998 to 2005. The band's sound has been compared to Burt Bacharach, Scott Walker and David Bowie with an updated contemporary edge.
Their best known song remains the single "The Last Good Day of the Year", from their eponymous debut album. It has featured in advertisements (such as those for Nissan in the United States and Borsci in Italy), films (such as Happily Ever After, with Charlotte Gainsbourg, winner of the Special Selection category at the Toronto Film Festival 2005, and South Kensington with Rupert Everett) and documentaries and television programmes around the world. It also enjoyed radio play on both BBC Radio 1 and BBC Radio 2 in the UK, later becoming a staple of the NPR and AAA networks in the US.
Cousteau albums on URBAN ASPIRINES HERE

LOUIS TILLET

Louis Rohan Tillett (born 1959) is an Australian rock music singer-songwriter, keyboardist and saxophonist. Tillett was the front man in Australian bands The Wet Taxis, Paris Green and The Aspersion Caste. He has also worked as a backing musician with Catfish, Laughing Clowns, New Christs and Tex Perkins. For
Tillett's solo career he has issued seven albums, Ego Tripping at the Gates of Hell (1987), A Cast of Aspersions (1990), Letters to a Dream (1992), Cry Against the Faith (1998), Learning to Die (2001), The Hanged Man (2005) and Soliloquy (2006). He has often worked with Charlie Owen, releasing two albums, The Ugly Truth (1994) and Midnight Rain (October 1995). The latter album won the Rolling Stone Critics Award for Best Album of 1996.

Louis Tillet Album on URBAN ASPIRINES HERE

PETER HAMMILL

Peter Joseph Andrew Hammill (born 5 November 1948) is an English singer-songwriter. He is a founding member of the progressive rock band Van der Graaf Generator. Most noted for his vocal abilities, his main instruments are guitar and piano. He also acts as a record producer for his own recordings and occasionally for other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
When Van der Graaf Generator broke up again in August 1972, Hammill resumed his solo career. Songs that were intended for Van der Graaf Generator now ended up on his solo albums, notably "Black Room" (on Chameleon in the Shadow of the Night) and "A Louse Is Not a Home" (on The Silent Corner and the Empty Stage). This makes it difficult to separate Hammill's solo work during the 1970s from his work with the band. For the majority of both his solo songs and the band's songs he is credited as the sole songwriter, and some of his solo albums feature all the members of Van der Graaf Generator. In general, Hammill's solo work is thematically concerned with more personal matters, while the band's songs deal with broader themes.

Peter Hammill on URBAN ASPIRINES HERE
Van De Graff Generation on URBAN ASPIRINES  HERE

FRANK ZAPPA & THE MOTHERS

The Mothers of Invention were an American rock band from California that served as the backing musicians for Frank Zappa. Their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.
Originally an R&B band called The Soul Giants, the band's original lineup included Ray Collins, David Coronado, Ray Hunt, Roy Estrada and Jimmy Carl Black. Zappa was asked to take over as the guitarist following a fight between Collins and Coronado, the band's original saxophonist/leader. Zappa insisted that they perform his original material, changing their name on Mothers Day to The Mothers. After record executives objected to the name it was changed. Zappa later said "out of necessity, we became The Mothers of Invention."After early struggles the Mothers earned substantial popular commercial success. Originally formed in 1964, the band first became popular playing in California's underground music scene in the late 1960s. Under Zappa's helm, it was signed to jazz label Verve Records as part of the label's diversification plans. Verve released the Mothers of Invention's debut album Freak Out! in 1966, featuring a lineup including Zappa, Collins, Black, Estrada and Elliot Ingber. Don Preston joined the band soon after.

Frank Zappa on URBAN ASPIRINES HERE

 TRAXS

01.  Big Sleep : Looking For A Girl With A Washing Machine - Written-By : Stefan Schwerdtfeger 4:50
02 . The Walkabouts : Jack Candy - Written-By : The Walkabouts 4:41
03. Motorpsycho : Stalemate - Written-By : B. Saether 4:55
04. The Invisible Surfers : Malaguena - Written-By : Ibeniz Y Pascual 6:13
05. Phil Shoenfelt & Southern Cross : Dead Flowers For Alice - Written-By : Phil Shoenfelt 5:13
06. Giant Sand : Shiver - Written-By : How Gelb 3:59
07. Sad Lovers And Giants : Clint  Written-By : Sad Lovers And Giants 3:26
08. Morphine : Honey White - Written-By : Mark Sandman 3:07
09. Midnight Choir : Mercy Of Maria - Written-By : A. Bystrom  5:36
10. Steve Wynn     My Midnight - Written-By : Kurt Ralske, Steve Wynn  5:05
11. Cousteau : The Last Good Day Of The Year - Written-By : Davey Ray Moor 4:01
12. Louis Tillett : The Tempest - Written-By : Louis Tillett  5:26
13. Peter Hammill:I Will Find You - Written-By : Peter Hammill  4:12
14. Frank Zappa / The Mothers : Happy Together - Written-By : Alan Gordon, Gary Binnet  2:57

MP3 @320 Size  : 154 MB
FLAC  Size  :  381 MB 

Monday, December 26, 2016

Brian Eno and David Byrne : My Life In The Bush Of Ghosts 1981


My Life in the Bush of Ghosts is the first collaborative album by Brian Eno and David Byrne, released in February 1981.
Recorded by Eno and Byrne in between their work on Talking Heads projects, the album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. While it received mixed reviews upon its release, My Life is now widely regarded as a high point in the discographies of Eno and Byrne.




The album has since been called a "pioneering work for countless styles connected to electronics, ambience and Third World music". The extensive use of sampling on the album is widely considered ground-breaking and innovative, though its actual influence on the sample-based music genres that later emerged continues to
Pitchfork listed My Life in the Bush of Ghosts as the 21st best album of the 1980s, while Slant Magazine listed the album at No. 83 on its list of the "Best Albums of 1980s".
(Wiki)

A pioneering work for countless styles connected to electronics, ambience, and Third World music, My Life in the Bush of Ghosts expands on the fourth-world concepts of Hassell/Eno work with a whirlwind 45 minutes of worldbeat/funk-rock (with the combined talents of several percussionists and bassists, including Bill Laswell, Tim Wright, David van Tieghem, and Talking Heads' Chris Frantz) that's also heavy on the samples -- from radio talk-show hosts, Lebanese mountain singers, preachers, exorcism ceremonies, Muslim chanting, and Egyptian pop, among others.


It's also light years away from the respectful, preservationist angles of previous generations' field recorders and folk song gatherers. The songs on My Life in the Bush of Ghosts present myriad elements from around the world in the same jumbled stew, without regard for race, creed, or color. As such, it's a tremendously prescient record for the future development of music during the 1980s and '90s.
(by John Bush)

"The Jezebel Spirit" is the fourth song from the 1981 album My Life in the Bush of Ghosts by David Byrne and Brian Eno. It was released as a single the same year.







The song includes a "found sound"—an exorcism performed by an anonymous exorcist—over Afrobeat music similar to that Byrne and Eno had used in the Talking Heads album Remain in Light. The exorcism was to have been a recording of Kathryn Kuhlman, but her estate prohibited the use of her voice.

TRACKS



01.America Is Waiting     3:36
02.Mea Culpa     3:35
03.Regiment     3:56
04.Help Me Somebody     4:18
05.The Jezebel Spirit     4:55
06.Qu'Ran     3:46
07.Moonlight In Glory     4:19
08.The Carrier     3:30
09.A Secret Life     2:30
10.Come With Us     2:38
11.Mountain Of Needles     2:35

Take it Here


MP3 Size : 98.8 MB
Flac  Size : 224 MB

Wednesday, December 14, 2016

Man : The Welsh Connection 1976



Man are a rock band from South Wales whose style is a mixture of West Coast psychedelia, progressive rock, blues and pub rock. Formed in 1968 as a reincarnation of Welsh rock harmony group ‘’The Bystanders’’, Man are renowned for the extended jams in their live performances.



The Welsh Connection (stylized on the cover as Welsh-Connection) is the eleventh album by the Welsh

psychedelic/progressive rock band Man and was released on the MCA Records label 1976. It was their first MCA release, and the first after a change of line-up that saw John McKenzie take over on bass from Martin Ace, and Phil Ryan rejoin. Ryan had worked with Pete Brown in the interim, and arranged for Brown to play on two tracks.

Man evolved out of The Bystanders, a successful close harmony pop group from Merthyr Tydfil who played numerous club residencies in Wales, often playing several clubs a night. The Bystanders issued eight singles, including "98.6" (#45 in UK Singles Chart, in February 1967) which featured in the 2009 film, The Boat That Rocked (although Keith's version was the bigger hit, reaching No. 24 in the UK) and "When Jesamine Goes", written by their manager Ronnie Scott and Marty Wilde under the pseudonyms of Frere Manston and Jack Gellar, which was later covered by The Casuals as "Jesamine" and got to No. 2 in the UK Chart. They also recorded sessions of cover versions for the BBC as rules restricting needle time required "live" performances between the records during the 1960s; becoming regulars on the ’’Jimmy Young Show’’, "The David Symonds Show" and others.

When formed in 1962 The Bystanders included Owen Money, then known as Gerry Braden, but he was replaced by Vic Oakley, giving the classic line up of Micky Jones (guitar), Ray Williams (bass), Jeff Jones

The band changed label to MCA Records, Ryan rejoined on keyboards, but as no bass players they knew were available, the band had to audition for the first time in their history. Auditions went badly, until the final audition, of John McKenzie of Global Village Trucking Company, who was immediately offered the job.

They then recorded The Welsh Connection which reached No 40 in the UK Album Chart and was toured in March/April 1976 in Britain and June/July in the US. During the US tour differences arose again, and on the subsequent European tour Ryan and McKenzie announced they would be leaving, and the rest of the band agreed to call it a day.



The MCA record deal, however, was for 3 albums, but nobody was willing to contribute new material, and their attempts at covers were poor, so MCA eventually agreed to a live farewell album. All's Well That Ends Well was recorded at the Roundhouse on 11–13 December, although the final gig was in Slough on 16 December 1976. The band agreed that they "would never, ever, be one of those bands who reformed in a futile attempt to recapture past glories ...".




 
When formed in 1962 The Bystanders included Owen Money, then known as Gerry Braden, but he was replaced by Vic Oakley, giving the classic line up of Micky Jones (guitar), Ray Williams (bass), Jeff Jones (drums), Clive John (aka Clint Space) (keyboards) and Vic Oakley (vocals). By 1968 the other members wanted to change musical direction to a more psychedelic/American west-coast guitar sound, so Oakley left, to be replaced by Deke Leonard; and the band changed its name to Man .

The band changed label to MCA Records, Ryan rejoined on keyboards, but as no bass players they knew were available, the band had to audition for the first time in their history. Auditions went badly, until the final audition, of John McKenzie of Global Village Trucking Company, who was immediately offered the job.

They then recorded The Welsh Connection which reached No 40 in the UK Album Chart and was toured in March/April 1976 in Britain and June/July in the US. During the US tour differences arose again, and on the subsequent European tour Ryan and McKenzie announced they would be leaving, and the rest of the band agreed to call it a day.

The MCA record deal, however, was for 3 albums, but nobody was willing to contribute new material, and their attempts at covers were poor, so MCA eventually agreed to a live farewell album. All's Well That Ends Well was recorded at the Roundhouse on 11–13 December, although the final gig was in Slough on 16 December 1976. The band agreed that they "would never, ever, be one of those bands who reformed in a futile attempt to recapture past glories ...".
TRACKS


Side one



1. "The Ride and the View"       Deke Leonard     5:01
2. "Out of Your Head"       Leonard     4:04
3. "Love Can Find a Way"       John McKenzie     5:13
4. "The Welsh Connection"       Phil Ryan, Micky Jones     7:18

Side two  




1. "Something is Happening"       Ryan     6:21
2. "Car Toon"       Leonard, Ryan     6:01
3. "Born With a Future"       Jones, Leonard, Ryan     7:07

    Design [Cover] – Joe Petagno
    Engineer – Doug Bennett
    Mixed By – Andrew Lauder
    Producer – Manband*
    Technician [Tape Operation And Fairweather Taxidermist] – Nigel Brooke-Harte
    Vocals, Bass – John McKenzie
    Vocals, Drums – Terry Williams
    Vocals, Guitar – Deke Leonard, Micky Jones
    Vocals, Keyboards – Phil Ryan





Vinyl rip
Label : MCA Records
Country : England
Year : 1976

MP3 . Size : 92.4 MB
Flac    Size : 241 MB








Sunday, December 11, 2016

Θα σας δω στην Κόλαση

ΘΑ ΣΑΣ ΔΩ ΣΤΗΝ ΚΟΛΑΣΗ .

Αλλη μιά μέρα που παγώνω
μακριά από εμένα
όλα τα μυστικά μυρίζουν Μεσκαλίνη
Αλλη μιά μέρα στην κόλαση .

Περπατάω σαν ζόμπι
και λησμονώ τις ενοχές μου
αυτό το μικρό σώμα σας καλεί να το ανατείλετε
να το ξυπνήσετε αυτή την ατέρμονη νύχτα .

Κατουράω πάνω στις πυραμίδες
ξερνάω στον Παρθενώνα , φτύνω σε σταυρούς
και παίζω τη ζωή μου στην TV σε ενα ριάλιτυ
μέσα σε ένα ολόδικο δωμάτιό μου .


Θα σας δείξω τι σημαίνει γαϊδουριά
και τι σημαίνει φθόνος
τι σημαίνουν φιλικά φιλιά , όταν σ'αφήνουν μακριά
πίσω από τα σήμαντρα που ζει ο πόνος .

Θα σας δείξω όλα τα Τίποτα όταν δεν τα έχετε ζήσει
Μιά στιγμή απόμακρη που έχετε λησμονήσει
Κι έπειτα όταν τελειώσουν όλα αυτά , θα σας πάω μακριά
σ'ένα λιβαδι πράσινο που μ'ελπίδα θα γεμίσει .

Θα σας φιλέψω με φιλιά και δώρα θα σας φέρω
κάποτε τα κατάφερα , τώρα πιά δεν ξέρω
κι εκεί στην ύστατη στιγμή προτού να πέσω
με τις θύμισες τις δικές σας θα τα καταφέρω .

ΘΑ ΣΑΣ ΔΩ ΣΤΗΝ ΚΟΛΑΣΗ .